Videos AF100

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NOTICIERO AUDIOVISUAL, todo lo nuevo del "Ambiente"

Un gigante del "mundo óptico" se une al MFT, a partir de ahora la empresa CARL ZEISS, con sus lentes COMPACT PRIMES CP2, vendrán provistos de fábrica con montura Micro Cuatro Tercios, esto significa nada más ni nada menos que la AG AF100, AF101, no necesitarán de adaptadores para usarlos libremente.




http://www.zeiss.com/cine

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NUEVO FINAL CUT

Este nuevo Final Cut trae varios cambios en particular y muy especial su entorno gráfico y una muy diferente forma de trabajo con su antecesor 7, será para los que lo conocemos un total desafío acostumbrarnos a él pero creo que va ser beneficioso dado que incorpora muchas de las herramientas que siempre le pedimos a Apple, hubo que esperarlo pero me parece que se pone adelante de los demás, y su precio no deja dudas que será un programa muy buscado, U$S 299.- aquí los cambios:

Apple did release a new version of Final Cut Pro, Version ‘X’, tonight at Supermeet at NAB in Las Vegas. 

“Something as revolutionary as the first version of FCP when introduced in 1999.”  It is rebuilt from the ground up, 64-bit, and will fully utilize all cores of all processors.

“Fully color-managed Final Cut based on colorsync.” “Resolution-independent playback system” Up to 4K formats.  To be able to deliver that, “we’re leveraging Grand Central Dispath.”   You can use all 8-cores. Background rendering built into application.


10:14: “Fully color-managed Final Cut based on colorsync.” “Resolution-independent playback system” Up to 4K formats.  To be able to deliver that, “we’re leveraging Grand Central Dispath.”   You can use all 8-cores. Background rendering built into application.

10:16: No more waiting for ingest.  Media is ready for editing even before ingest is completed. On the way in, media can be analyzed for stabilization.  Deal with rolling shutter on the way in.

10:17 People detection. Shot detection.  It will find medium shots, CU shots, etc. on the way in.  Automatic non-destructive color balance as it is being ingested.

10:18: Automatic audio clean up on the way.  Options to rid hum, rumble, etc. on the way in.

10:19: Range-based keywording.  You can select ranges inside your clip and apply keywords to those ranges instead of just keywording the clip.  No subclipping necessary.

10:21: Smart collections: Categorizes things like media types (audio, stills), how many people are in shots and how those shots are framed.  Smart collections looks very iMovie-ish.

10:23: Clip connections.  Primary audio and video are locked synced together.  There’s no way to accidentally knock it out of sync.  Same types of relationships can be established with secondary audio clips that are maintained through the editing process.

10:24: Magnetic timeline.  If you slide a clip down the timeline, long clips (i.e., secondary audio) won’t collide with other clips. The other clips will drop down to a new drag and nothing is pushed out of sync.

10:27: Compound clips. You can combine multiple clips into a single clip to make sequence easier to understand.  Everything that is associated with compound clips is still accessible, but moves together with later edits.

10:30: Inline precision editor. You can double-click on the seam b/w 2 clips and the timeline opens up to show what’s outside the handles.

10:32: Auditioning. How to compare edits and effects…  During the organization process, you can throw effects or b-roll into timeline.  Non-destructive….

10:33: Randy Ubillos, Chief Architect, Video Applications on stage.  Demo FCP X live now.  Beta version.  “We hope it behaves.”




Supermeet Apple Final Cut Studio X presentation 2eme partie from Emmanuel Pampuri on Vimeo.

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" MANUAL DE USUARIO CON DVD INCLUIDO 
PARA LA AF 101"

Por medio de nuestros colegas Escoceses, de HD WARRIOR, http://www.hdwarrior.co.uk/, ponen a nuestra disposición previo pago de $ 170.- aproximadamente, un DVD que tiene la intención de proponer un conocimiento más profundo sobre las bondades de la AG AF100, AF101, sus mejores "seteos", los parámetros más convenientes para cada ocasión profesional, combinación de diferentes componentes de terceros que equipan de manera auxiliar a la cámara, y muchos datos más.